Josienne Clarke has announced details of a new collection of rare early demos and song-writing sketches. It contains fragments and songs previously unreleased and entirely unheard by ears other than Josienne’s, alongside some early originals of well-known Clarke classics.
Spanning the many years of her career, Historical Record vol. 1&2 starts with a recovered low-grade recording of the artist aged 3 doing an early cover version then wends its way non-chronologically through the various years’ releases and unreleased compositions in a double volume of 53 tiny songs at a total running time of 85 minutes.
The accompanying video for ‘throwing love’ was made using footage shot by Josienne on her phone during her travels over the last ten years in music, then edited by Alec Bowman. We join Josienne on her endless travels, always coming & going, never arriving, no direction home or away. The only conclusion appears to be a moments quiet repose from some familiar window in a snowy street and the birds in the sky.
Tracks such as ‘i never learned french – original demo’ expose the roots of Josienne’s production ideas and choices, such as the hummed string lines and mouth trumpet solo, that would later appear re-packaged on the 2015 release Nothing Can Bring Back The Hour. A treasure-trove of original ideas, a burgeoning song-writing talent, brimming with Clarke’s irrepressible originality.
This is the artist alone in her bedroom-studio-office, it’s where the magic lives, the bits you don’t normally get to hear, that first spark of an idea as it appears, complete with missteps and mistakes and the frisson with which such creativity is charged. It hisses and crackles with pure, imperfect, creative endeavour, the nearest you’ll get to seeing how it’s really done. Take a peak over the fourth wall, behind the stage curtain, way beyond the dressing room and into her home to take a seat with a view over her shoulder as she pens some of the finest songs in her catalogue, a catalogue which is among the finest original song-writing this country has to offer.
“It is a candid and exhausted documentation of a whole life spent in song and how utterly, beautifully pointless that is.” says Josienne.