New Release: Karine Polwart – Scottish Songbook / Women Of The World

Karine Polwart today announces her forthcoming new album Scottish Songbook, due for release on August 2nd

The follow-up to her 2018 album Laws Of Motion, the new project captures Polwart reimagining a clutch of tracks which span over sixty years of Scottish pop. Spawned from Karine’s much-praised 2018 Edinburgh International Festival live show of the same name, Scottish Songbook draws together her interpretations of classic tracks by the likes of John Martyn, Chvrches, Strawberry Switchblade and Biffy Clyro

The album details arrive today alongside the latest single from the album, Polwart’s version of Women Of The World by Ivor Cutler…

Recorded at Chem 19 (where the likes of Franz Ferdinand, King Creosote and Teenage Fanclub have all cut albums), Polwart’s Scottish Songbook features regular band mates Steven Polwart and Inge Thomson, alongside Graeme Smillie (bass and keys), Calum McIntyre (kit and percussion) and Louis Abbott of Admiral Fallow (vocals, guitar & percussion). The sextet’s hymnal interpretation of cult Scottish singer Cutler’s Women Of The World arrives alongside the first of a series of blogs Karine will be publishing via Medium throughout the month, inspired by trailblazing Scottish women

The first – published today just ahead of International Women’s Day (March 8, 2019) – is Polwart’s tribute to Mary Brooksbank. You can read Part 1 HERE and Part 2 HERE. A much-revered political activist and songwriter, Brooksbank is the only woman to have her words inscribed alongside the likes of Robert Burns and Edwin Morgan – on the Writer’s Wall at the Scottish Parliament. Polwart first came across Brooksbank’s legacy in the late nineties when – seeking an outlet from the pressures of her work at Scottish Women’s Aid safeguarding the victims of domestic abuse – she attended an evening class called ‘Women and Folksong’

Speaking about the interplay between Cutler’s simple, resonant lyrics to Women Of The World and Brooksbank’s struggles for women’s rights, Polwart says; “The social and health care jobs most of us inhabited were precisely those that Mary fought for, at a time when infant mortality in Scotland’s industrial towns and cities was close to 20%, and the NHS and the Welfare State were but a dream. The act of singing in community with others in that draughty old school was physically, emotionally and politically restorative for all of us. For me, it is still. Indeed, it’s why I sing”

Karine has collaborated with Scottish visual artist Jen Frankwell to create a series of multi-layered artworks to accompany Scottish Songbook. Created using a miscellany of items including postcards, pin badges, statistical data and textile remnants, Frankwell’s thoughtful montages cut to the heart of the issues surrounding community, dignity, purpose, mental health and hope that Polwart’s body of work continues to shine a light on

Karine will launch the album alongside a performance at this year’s Cambridge Folk Festival on August 2nd 2019, ahead of a UK headline tour including London’s Barbican on November 27th…

14 November – ABERDEEN Music Hall
15 November – PERTH Concert Hall
16 November – EDINBURGH Usher Hall
27 November – LONDON Barbican