Live: John Paul White Announces September 2019 UK Shows

Photo Credit: Alysse Gafkjen

Following the release of his new solo album The Hurting Kind earlier this year, John Paul White has now announced his live return to the UK with a string of dates confirmed in September:

Thursday 05 September – Islington Assembly Hall – London
Friday 06 September – Bristol Folk House – Bristol
Saturday 07 September – The Long Road Festival
Sunday 08 September – Folk in The Barn – Canterbury

Leading up to the sessions for The Hurting Kind, White was inspired by artists like Jim Reeves, Patsy Cline, Roy Orbison, Chet Atkins and Bill Porter. Drawing on these timeless influences, White sought out classic writers like Whisperin’ Bill Anderson and Bobby Braddock to collaborate with. “Coming out of each and every one of these situations, I got a resounding thumbs-up that I was on that right track,” says White of the collaborations. “I didn’t need anybody else’s approval after that.”

The Hurting Kind was recorded at Sun Drop Sound, White’s new home studio that he converted from an old, turn-of-the-century home in the historic district of Florence, AL, and at legendary FAME Studios in Muscle Shoals, AL. The record was co-produced with Ben Tanner (Alabama Shakes) and features additional contributions from a core group of musicians including Jon Radford (Leigh Nash, Odessa) and Reed Watson on drums, Pat Bergeson (Chet Atkins, Emmylou Harris) on electric guitar, Jon Estes (Robyn Hitchcock, Kesha) and David Hood (Muscle Shoals Rhythm Section) on bass and Lillie Mae (Jack White) on fiddle, plus guest vocals from Lee Ann Womack and background vocals from Erin Rae and The Secret Sisters.

With The Hurting Kind, White draws on the lush, orchestrated music made in Nashville in the early 1960s, writing about overwhelming love, unravelling relationships and the fading memory of a loved one. “I approached this album differently on the songwriting side before I ever got into the studio,” says White. “I really wanted there to be a torch song quality to it, the classic timeless quality. To not be afraid of the big note, and not be afraid of the drama.”