Saturday, December 15, 2018

Album Review: Death Cab For Cutie – Thank You For Today

On album number nine, Thank You For Today, Death Cab For Cutie presents a powerful comeback from the previous experiment on the last record Kintsugi....

Live Review: Zac Brown Band – Citi Field, NY

On July 29th I ventured out to Citi Field, the home of the NY Mets, to take in my first concert there. I was...

EP Review: Daniel Emond – Kill The Whale

On November 30th 2017, last year, Daniel Emond released the debut EP for his concept album in development, Kill The Whale. On the heels...

Festival Review: Henley Festival 2018

A summer’s evening, boats ambling up the river, an array of fabulous frocks, men suited and booted, gourmet pop-ups, glasses brimming with champagne and...

Album Review: Luluc – Sculptor

Australian folk duo Luluc, comprised of Zoe Randell and Steve Hasset just released their third album. Sculptor will exceed the hopes of all fans...

Live Review: Callum Pitt – The Cluny, Newcastle

Friday the 13th, unlucky for some but very lucky for this fairly new kid on the block, who goes by the name of Callum...

Album Review: Cornelia Murr – Lake Tear Of The Clouds

Incorporating elements of folk, lo-fi, and dream pop, Cornelia Murr arrives hot on the scene with her debut LP, Lake Tear Of The Clouds....

Album Review: Rayland Baxter – Wide Awake

It seems that the world of passable, digestible, indie-folk-pop is an ever-expanding landscape that continues to disappoint over time. With pretentious, pseudo-philosophical lyrics a...

EP Review: Jackie Cohen – Tacoma Night Terror Part 1: I’ve...

There’s an immediate edginess in the soulful melodies of Spacebomb’s new artist Jackie Cohen. From the very beginning of her debut EP Tacoma Night...

Album Review: Natalie Prass – The Future And The Past

Two years ago, Natalie Prass was poised to go into the studio to record her second full-length album, hot on the heels of her...