Album Review: Júníus Meyvant – Across The Borders
Júníus Meyvant's debut record Floating Harmonies opened with an extended instrumental, mixing film score styles including Bill...
Album Review: Sharon Van Etten – Remind Me Tomorrow
It’s been over four years since Are We There, and Sharon Van Etten is back with...
Album Review: Matt Corby – Rainbow Valley
Matt Corby has again teamed up with Dann Hume for his new album Rainbow Valley, which is named after the property Corby and his...
Album Review: Pierce Brothers – Atlas Shoulders
A debut album can often be a declaration of intent with a band. These are songs that an artist or band have crafted and...
Album Review: Novo Amor – Birthplace
Over the years, Ali Lacey, artistically known as Novo Amor, has slowly, but enticingly given us tastes of his atmospheric infused folk. The celestial...
Album Review: Phosphorescent – C’est La Vie
The music of Phosphorescent (Matthew Houck) has been sorely missed over the past few years, especially after the glorious high that was his breakthrough...
Album Review: Gregory Alan Isakov – Evening Machines
The long-awaited Evening Machines is genuine Gregory Alan Isakov — a hauntingly beautiful and pensive, yet consoling album. This release feels like an elevated...
Album Review: John Smith – Hummingbird
Presenting his sixth studio album, John Smith has decided to offer six of his favourite folk songs, one cover, and three original compositions. Smith...
Album Review: Carl Broemel – Wished Out
Although fans of critically-acclaimed indie rock band My Morning Jacket haven’t heard a new album since The Waterfall in 2015, this year has been...
Album Review: Marissa Nadler – For My Crimes
Marissa Nadler is at the top of her game. The artist releases her 8th studio album, For My Crimes, this week via Bella Union and...