Monday, July 22, 2019

Album Review: Sylvan Esso – What Now

The folktronica pop energy that Amelia Meath and Nick Sanborn achieved on their debut album as Sylvan Esso does not amount to the same...

Album Review: Will Johnson – Hatteras Night, A Good Luck Charm

Listening to Will Johnson’s latest album Hatteras Night, A Good Luck Charm, my imagination was flooded with imagery: lamplight in the desert, abrasively hot...

Album Review: Wilsen – I Go Missing In My Sleep

Having released EP’s Sirens and Magnolia, New York's Wilsen have now produced their long-awaited debut album I Go Missing In My Sleep, a title that...

Album Review: Fionn Regan – The Meetings Of The Waters

After nearly half a decade away, a move to the Irish countryside and a consideration of hanging up his musical gloves for a full time move into visual...

Album Review: The Wild Reeds – The World We Built

On their second full-length album, The Wild Reeds have demonstrated just how far their wild ambitions, exhilarating talent and thrilling versatility extend. The World...

Album Review: Keston Cobblers Club – Almost Home

“The idea was to go back to song writing in its simplicity, based around nostalgia and the idea of 'home'" - these are the...

Album Review: Johnny Flynn – Sillion

Johnny Flynn’s long-awaited fourth studio album, Sillion, is a luscious and brooding exploration of the dimensions of what folk can be, tinted with elements...

Album Review: Conor Oberst – Salutations

On October 14th, 2016 Conor Oberst presented a draft of Ruminations that demonstrated the basic simplicity and emotion it takes to produce original, entertaining...

Album Review: The Shins – Heartworms

The alternative/indie rock sensation The Shins are back with new music, their first since 2012’s Port Of Morrow. After a five-year break from the...

Album Review: Alison Krauss – Windy City

What is left to say about Alison Krauss that hasn't already been said? A 27-time Grammy Award winner, her legendary status on the country...