Sunday, March 24, 2019

Album Review: Tedeschi Trucks Band – Signs

Listeners can immediately tell from the piercing and electrifying guitar intros on the latest album from Tedeschi...

Album Review: The Unthanks – Lines

Over the last fifteen years, The Unthanks have given us numerous delights. In amongst their original works...

Album Review: Ryan Bingham – American Love Song

Ryan Bingham has proved to be a mercurial proponent of the Americana genre. Debut Mescalito was a...

Album Review: Ward Thomas – Restless Minds

Restless Minds, the follow-up to debut album From Where We Stand (2014) and Cartwheels (2016), is Ward...

Album Review: Beirut – Gallipoli

At its best, Beirut feels like music made for the wandering, for the vagabonds who lead a...

Album Review: The Wandering Hearts – Wild Silence Deluxe Edition

I often wonder why artists release ‘new versions’ of albums but then there are occasions when it is done and you thank...

Album Review: Maggie Rogers – Heard It In A Past Life

Maggie Rogers is a pure emblem of musical fusion. Her roots in folk remain the bedrock of...

Album Review: Júníus Meyvant – Across The Borders

Júníus Meyvant's debut record Floating Harmonies opened with an extended instrumental, mixing film score styles including Bill...

Album Review: Sharon Van Etten – Remind Me Tomorrow

It’s been over four years since Are We There, and Sharon Van Etten is back with...

Album Review: Matt Corby – Rainbow Valley

Matt Corby has again teamed up with Dann Hume for his new album Rainbow Valley, which is named after the property Corby and his...