Album Review: Ólöf Arnalds – Palme
Ólöf Arnalds’ fourth offering is much more produced than her previous albums ,Við og Við (2007), Innundir Skinni (2009) and Sudden Elevation (2013). For the making of...
Album Review: Ward Thomas – Restless Minds
Restless Minds, the follow-up to debut album From Where We Stand (2014) and Cartwheels (2016), is Ward...
TFFT Favourite Albums Of The Year 2017
2017 has been a wonderful year for music, with the return of favourites Fleet Foxes and Fionn Regan, incredible emerging artists such as Wilsen...
Album Review: Marcus Foster – Nameless Path
I must say, I do enjoy the manly manliness of Marcus Foster’s voice, all gravel and phwoar.
An occasionally overwhelming range of influences and musical...
Review: Feldspar – The Flat And Paper Sky Vol II
After the success of their first EP The Flat And Paper Sky Vol I, winning them fans at Radio 2 and causing their impressive...
Album Review: Leon Bridges – Good Thing
Slick and soulful, Leon Bridges’ Good Thing is just about the best album around at the moment. No really, it is. Sure it might not...
EP Review: Isaac Gracie – The Death Of You & I
Short and sweet; Isaac Gracie’s EP The Death Of You & I is a solid release. Isaac Gracie’s sound is polished and his future...
Live Review: Whitney – Albert Hall, Manchester
In support of the latest record Forever Turned Around, released earlier this year, Chicago's Whitney arrived in Manchester on a chilly but...
Album Review: Keaton Henson – Romantic Works
Romantic Works is the recent, unexpected release from 26 year old artist Keaton Henson. This sudden release is a collaboration with cellist Ren Ford and...
Review: Thea Gilmore And Sandy Denny
A posthumous collaborative effort is bound to raise some cynical and apprehensive eyebrows. When Sandy Denny is involved, an artist commonly perceived as a...