Saturday, December 15, 2018

Live Review: Beach House – Albert Hall, Manchester

If you could pick a venue to see Beach House live, I don’t think you’d want to look much further than Albert Hall -...

Album Review: Pierce Brothers – Atlas Shoulders

A debut album can often be a declaration of intent with a band. These are songs that an artist or band have crafted and...

Live Review: Ben Howard – Hammerstein Ballroom, NYC

Two weekends ago, Ben Howard brought his experimental, electric style to Hammerstein Ballroom in NYC for a 2 night run. I must admit as a...

Live Review: Villagers – Gorilla, Manchester

Friday 19th October in Manchester was a night of opportunity and a plethora of choices for live music - Beach House were smashing it...

Live Review: Pierce Brothers – Electric Ballroom, London

The Electric Ballroom was the venue for the final European date for Australia’s Pierce Brothers, before they headed back home. As the audience began...

Album Review: Novo Amor – Birthplace

Over the years, Ali Lacey, artistically known as Novo Amor, has slowly, but enticingly given us tastes of his atmospheric infused folk. The celestial...

Live Review: Jade Bird – Bowery Ballroom, NYC

Indie folk up-and-coming singer/songwriter Jade Bird passed by the Bowery Ballroom in NYC a few weeks ago to preview some new material from her...

Live Review: Shakey Graves – Terminal 5, NYC

A few weekends ago, Shakey Graves brought his raging vocals and aggressive singer/songwriter spirit to Terminal 5 in Manhattan, New York. What made the...

Album Review: Phosphorescent – C’est La Vie

The music of Phosphorescent (Matthew Houck) has been sorely missed over the past few years, especially after the glorious high that was his breakthrough...

Album Review: Gregory Alan Isakov – Evening Machines

The long-awaited Evening Machines is genuine Gregory Alan Isakov — a hauntingly beautiful and pensive, yet consoling album. This release feels like an elevated...