Monday, February 19, 2018

Album Review: Johnny Flynn – Sillion

Johnny Flynn’s long-awaited fourth studio album, Sillion, is a luscious and brooding exploration of the dimensions of what folk can be, tinted with elements...

Album Review: Chris Stapleton – From A Room: Volume 1

It's been two years since the massive success of Chris Stapleton's first album Traveler and we've all been yearning for more music from the country...

Live Review: Lucy Spraggan – Newcastle Student’s Union

Arriving for the last song of Soham De, the first support of the night, you could feel there was something magical inside this particular...

Album Review: Torgeir Waldemar – No Offending Borders

Torgeir Waldemar's second album, No Offending Borders, is an excellent combination of profound acoustic and classic rock sounds. While the majority of the album...

Live Review: Tony Njoku – Montague Arms, London

Once in a while, an artist will come to you and you just have no words but a feeling. Tony Njoku is one such...

Album Review: Conor Oberst – Salutations

On October 14th, 2016 Conor Oberst presented a draft of Ruminations that demonstrated the basic simplicity and emotion it takes to produce original, entertaining...

Review: Green Man Festival 2016

What do you get, if you put together a late night pop dungeon with Charlotte Church, a field dedicated to science experiments, a hot-tub...

Live Review: Steve Earle’s Annual Winter Residency w/ Jonathan Russell –...

If you’re in NYC this January and haven’t hit up Nashville country singer/songwriter Steve Earle’s residency at City Winery, you’re making a very big...

Album Review: Will Stratton – Rosewood Almanac

From the first flutter of chirping birds on the first track of Rosewood Almanac, Will Stratton captivates the listener and carries them away on...

Live Review: Justin Townes Earle – El Rey Theatre, Los Angeles

We walked into the El Rey on that Saturday night to the sound of a white hot fiddle screaming some old-school country rock, setting...